The brothers who described themselves on their jacket copy as “Thunderin’ Thumbs and Lightnin’ Licks” are best known for their 1977 cover of Shuggie Otis’ “Strawberry Letter 23.” Which was a fine thing indeed, but the opening track from The Brothers Johnson’s debut album, Look Out for #1, takes me back to the best of the Bicentennial summer the year before, when I went to North Myrtle Beach and met that girl from New Jersey. That summer of mononucleosis. The last summer I built models. (The Space:1999 Eagle transport ship and the U.S.S. Enterprise Bridge.)
It was a short childhood, Charlie Brown. But, as Mr. Lennon pointed out in his last interview, we’ll always have the records to play.
Producer Quincy Jones knows how to lay down a groove. Note how the background singers become a driving rhythm instrument all their own during the chorus. As Jones would later do for Michael Jackson, he did for the Brothers Johnson in 1976.
It was a short childhood, Charlie Brown. But, as Mr. Lennon pointed out in his last interview, we’ll always have the records to play.
Producer Quincy Jones knows how to lay down a groove. Note how the background singers become a driving rhythm instrument all their own during the chorus. As Jones would later do for Michael Jackson, he did for the Brothers Johnson in 1976.
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