Friday, June 28, 2013

BLEEDING KANSAS Is Available in Kindle!

I began writing Bleeding Kansas 24 May 2012. I quit a job shortly after my birthday in October with intentions of selling this novel DIY Kindle ebook through Amazon. With just enough chapters to make it happen I commenced serializing the novel on this blog in January. 

In March, Severed Press came a-calling. I was up to Chapter 17 when I signed the contract on 13 March and took Act Two offline. Soon afterward, I took down the rest of it. (Ain’t no sense giving away what I’m planning on selling, amirite?) 


I spent much, much more time than I’d intended finishing the book. At least I was happy with how the book finished, on 25 May 2013, a year and a day after I’d begun. It wasn’t quite what I’d expected, but it fit the mood I was going for.


Bleeding Kansas served hard time in the proofreader’s queue before it came back to me. Going over it I found myself savoring the deeply weird ending, especially the scene depicted in the cover art as described by the Dead Silencer. There’s a 1970s feel to the action, and the toxic-abrasive attitude driving the hero. We root for him because, of all the assholes in the post-apocalyptic Zombie Crapsack World, he’s the least assholish, if still very much an asshole.


I’ll admit I never thought my first novel would be a zombie apocalypse novel. As a writer I expected my first to be a Great American Novel, i.e., the Great American Middle-Class Melodrama. I may yet finish that book. But for right now it’s all about post-apocalyptic rage-revenge fantasy for people like me who hate the way things have become. Which is Great American enough for me.


George Romero wrote and filmed Night of the Living Dead as a reaction to the Failed Dream of the 1960s, especially the disaster-on-skates that was the year 1968. (Tet Offensive, LBJ declines to run for re-election, MLK shot, RFK shot, the Democratic National Convention in Chicago, etc.) Over the last five years—since 2008, 40 years after Night of the Living Dead—we have watched the professional class hollow out as IT jobs and other trade positions fell away. The system gets along with a lot fewer people in 2013. If you miss out on this game of musical chairs, 1,000 people for 20 chairs, now 19, now 17, too bad, so sad, sucks to be you. Or maybe not....


In that light Bleeding Kansas in particular and The Saga of the Dead Silencer altogether is my statement on Life in These United States, ca. A.D. 2013. It’s not great capital-S Satire and social commentary, mind you. It’s first and foremost a two-fisted action-adventure tale in a post-apocalyptic setting with zombies. I take my shots when I can, though.


I’m gambling that you’re like me and figure any apocalypse is better than the one we’re living through now. If so, you’ll enjoy Bleeding Kansas

“Delightful rage-fantasy and post-apocalyptic ultraviolence!”